Welcome to the Archive Version of the online On the Purple Circuit, which ran from 2000-2021. Bill Kaiser founded the Circuit as a newsletter in 1991, and, in 2000, Demian joined as co-editor. Demian programmed the site, expanded the scope of the Circuit, as well as retouched all the images. Demian needed to stop working on the Purple Circuit in order to realize his other projects, such as publishing the book “Operating Manual for Same-Sex Couples: Navigating the rules, rites & rights,” now available on Amazon, and to publishing his “Photo Stories by Demian” books based on his more than 6 decades as a photographer and writer. QueerWise and Michael Kearns have committed to offering a continuation of the Purple Circuit. The new Web address is purplecircuit.org. Bill Kaiser continues as editor and can be reached at purplecir@aol.com Bill and Demian express their appreciation for the hundreds of writers, directors, actors, and publicists who sent their articles and play data. They have toiled mightily to bring our gay, lesbian, trans, and feminist culture into public view, and appreciation. |
| Bill Kaiser, founder (1991), publisher, editor - purplecir@aol.com - 818-953-5096 Demian, associate editor (2000), Web builder, image retouch (since 2003) Contents © 2022, Purple Circuit, 921 N. Naomi St., Burbank, CA 91505 |
Theater in the Time of Pandemic by Bill Kaiser © May 11, 2021, Bill Kaiser |
It’s been quite a horrendous year without live performance. Theater which we took for granted, especially in cities like New York and Los Angeles, was gone. In a twinkling, it was gone, and show folk were silenced, and, at best, on unemployment. We can imagine how the London theaters were closed during the bubonic plague, to prevent the spread of contagion. Elizabethan theaters were frequently shuttered during outbreaks, in 1593-1594, which claimed nearly a third of the city’s population. The official rule was that once the death rate exceeded 30 per week, performances would be canceled. Unlike Elizabethan times, present day theaters and performers have adapted by learning to use “Zoom,” or other crowd meeting programs, and streaming programs. We’ve been given access to theatrical events around the world. During this time, we’ve lost many creative people to Covid-19, and other conditions, including important voices like: Jerry HermanBroadway Cares and The Actors Fund have hosted online benefits. Our theaters big and small have suffered financially, too, and I urge you to donate to them as best you can. This pandemic has shown how much we miss, and need, live performance in our community. I’ve reached out to the theaters on our Purple Circuit Directory, to survey how they are coping, and inquired about their future plans. It’s been inspiring to see the innovative ways ways theaters and performers have kept theater alive in these isolated times.
San Francisco’s Theatre Rhinoceros, the oldest continuous LGBTQ+ theater in the U.S., has had weekly one-person, online shows, created and performed by their AD John Fisher for more than a year, from his apartment. They will also be presenting “Gay As They Say” conceived by Mark Nadler, streamed for free on May 21-23, 2021. (See our Openings)Artists have continued writing.
Michael Kearns has just published a new book, “Whose Afraid Of Michael Kearns,” a collection of three of his plays. See our article Media for Sale.Truly, the theater community is resilient: performers and theaters have adapted and survived this pandemic. We need to support them financially, and hopefully, quite soon, we will be able to see a show in a theater, with an audience.
Our Purple Circuit tagline has always been “See a gay or lesbian show tonight, and when you travel.” Now, I will add, “and support these special spaces, and performers.”
The Purple Circuit Newsletter was founded by Bill Kaiser in 1991. Bill was the writer, editor
and publisher, and contacted other writers across the U.S. for reviews and opinion articles. Bill has been a long-term gay rights advocate placing a lot of emphasis on cultural perspectives. He has been on the One board of directors, running monthly theater events through this Los Angeles organization that included readings, lectures and the Oscar Wilde Festivals. |